Tom trained at Central School of Speech and Drama.

Recent theatre includes: Hamlet (Almeida), Hedda Gabler, The Red Barn, Sunset At The Villa Thalia, People, Places and Things – 2016 Olivier award for Best Sound Design (National Theatre); Les Misérables (Wermland Opera, Sweden); The Crucible (Walter Kerr Theater, Broadway); The Lorax (Old Vic); Oresteia (Almeida Theatre, Trafalgar Studios); Anna Karenina (Manchester Royal Exchange); Elephants (Hampstead Theatre); White Devil, As You Like It (RSC); Translations (Sheffield Crucible); A View From the Bridge (Young Vic/Wyndham’s – nominated for 2015 Olivier award for Best Sound Design); Happy Days, A Season in the Congo, Disco Pigs (Young Vic); Mr Burns, 1984 (Almeida,West End, Broadway); The Absence of War, Romeo & Juliet (Headlong); Lion Boy (Complicite); Henry IV, Julius Caesar(Donmar, St Ann’s Brooklyn); Grounded (Gate Theatre); The Spire (Salisbury Playhouse); London, The Angry Brigade (Paines Plough); Roundabout Season (Shoreditch Town Hall, Paines Plough); The Rover (Hampton Court Palace); Love Love Love, (Royal Court); Dead Heavy Fantastic (Liverpool Everyman); Plenty (Crucible Studio, Sheffield); Wasted (Paines Plough and tour); Chalet Lines, The Knowledge, Little Platoons, 50 Ways To Leave Your Lover, (Bush Theatre); Hairy Ape, Shivered, Faith, Hope and Charity, The Hostage, Toad (Southwark Playhouse); Sold (503), The Chairs (Ustinov Studio, Bath); The Country, The Road To Mecca, The Roman Bath, 1936, The Shawl (Arcola); Utopia, Bagpuss, Everything Must Go, Soho Streets (Soho Theatre); and Hitchcock Blonde (Hull Truck).